Audio and Video for Composition

Han is a composer who focuses on exploring traditional acoustic music, electroacoustic music, and the essence of sound.

A Midday Dream, Entangled in the Folds of a Closed Chinese Fan for Trio

Performed by Jessica Tong, Ashley Bathgate, and David Kaplan

A Few Practices of Chinese Acoustic Justice for Large Ensemble

Performed by Composers Conference Ensemble (conducted by Vimbayi Kaziboni)

Can One Hear the Shape of a Drum? for Installed Snare Drum and Installed Bass Drum was premiered by Greg Stuart

I: Diagnosing & Symptom

II: A Song of Snare Drum

III: Trio-some

Étude No.8 M&W for Piano and Percussion Quartet (2021) Performed by Yarn/Wire

Étude No.1 for Ensemble, Objects, and 8 Channels (ambisonic)Live Electronic (2019-2021) 21’50’’ Performed by Israeli Chamber Project

Reassembling Sense for Bending Instruments (2022) Performed by: Red Desert Ensemble.

Étude No.5 Cyber Buddha for 4 channel Electroacoustic Music, Chanting, and Virtual interactive installation (2020) Performed by Han Xu and Venerable YouWang.

Eternity Ascending – Flute and Silent Piano Performed by: XiongFeng

Live performance in Shanghai by Han Xu & 19 Sound Lab

Illusions for Flute, Violin, and Cello with virtual Installation (2021) 40’ Performed by Wet Ink Ensemble

Buddha Holds the Flower –Through the ashes of the fragrance, the blissful grandeur rises (2018) 5′ Performed by London Symphony Orchestra(2017-2018).

Bathing the Buddha – Electroacoustic Music

波罗蜜多 Paramita for Buddhist Choir and Symphony Orchestra (2016) 15′ Performed by RNCM (Royal Northern College of Music Student Orchestra) Symphony Orchestra and Manchester FoGuangShan Buddhist Choir

Electro-水墨（Electro-Water Ink) for Amplified Ensemble